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Introduction1

Chapter 1 The History of China's Reception of Shakespeare10

1.1 Initial Phase(from the Mid-19th Century to the Turn of the 20th Century)11

1.2 Transitional Phase(from 1903 to 1920)17

1.3 Real Beginnings of Chinese Shakespeare(from 1921 to 1949)20

1.4 Dawning of Chinese Shakespearean Criticism(in the 1950s)24

1.5 A Halt to Shakespearean Studies(during the Cultural Revolution of 1966 to 1976)30

1.6 Resuscitation of Shakespearean Studies(after the Cultural Revolution)32

1.7 The Flowering of Shakespearean Studies(from the 1980s to the End of the 20th Century)36

1.8 A Promising Future of Chinese Shakespeare(the 21st Century)43

Chapter 2 Similarities between Shakespearean and Traditional Chinese Theatre45

2.1 Script46

2.1.1 Source46

2.1.2 Structure49

2.1.3 Imperial Theme56

2.2 Stage61

2.2.1 Verbal Image62

2.2.2 Supernatural Elements65

2.2.3 Use of Aside or Soliloquy67

2.2.4 Free Deployment of Time and Space70

Chapter 3 Shakespearean Translations in China72

3.1 Difficulties in Translating Shakespeare74

3.1.1 Language Divergences75

3.1.2 Cultural Differences77

3.2 Methods of Rendering Shakespeare83

3.2.1 Chinese Translation Theory83

3.2.2 Translating Methods86

3.3 Literary Forms in Translating Shakespeare97

3.3.1 Fiction Form98

3.3.2 Prose Form104

3.3.3 Verse Form107

3.4 Rendering Complete Plays of Shakespeare111

3.4.1 Cao Weifeng111

3.4.2 Liang Shiqiu114

3.4.3 Zhu Shenghao116

3.4.4 Fang Ping117

Chapter 4 Shakespearean Criticism in China121

4.1 Introducing Western Shakespearean Criticism122

4.2 Marxist Shakespearean Criticism127

4.3 Comparative Shakespearean Criticism131

4.3.1 Comparing Plays133

4.3.2 Comparing Writers138

4.3.3 Comparing Characters139

Chapter 5 Performing Shakespeare on the Chinese Stage143

5.1 The Western Style148

5.2 The Chinese Style151

5.3 A Hybrid of the Western and the Chinese Style158

5.3.1 Spoken Drama159

5.3.2 Traditional Chinese Drama162

Chapter 6 Chinese Productions of Shakespeare165

6.1 The History Play King Richard Ⅲ167

6.1.1 The Shakespearean Text:General Remarks169

6.1.2 The 1986 Chinese Version of Richard Ⅲ—li cha san shi185

6.2 The Tragedy Hamlet208

6.2.1 The Shakespearean Text:General Remarks209

6.2.2 The 1989 Adaptation of Hamlet—ha mu lai te231

6.3 The Comedy Much Ado About Nothing257

6.3.1 The Shakespearean Text:General Remarks259

6.3.2 Much Ado About Nothing in the Huangmeixi Genre275

Conclusion312

Bibliography315

1 Primary Literature315

2 Research Literature317

2.1 Books317

2.2 Articles320

2.3 Internet327

Glossary331

Acknowledgements340