语言模式 文体学入门2025|PDF|Epub|mobi|kindle电子书版本百度云盘下载

语言模式 文体学入门PDF格式电子书版下载

注意：本站所有压缩包均有解压码： 点击下载压缩包解压工具

1 Introduction1

1．1 About you…2

1．2 What is stylistics?3

1．3 Some debates about the methods and purpose of stylistics6

1．4 The background to the study of language and literature9

1．5 The purpose of this book10

1．6 The structure of this book11

Preface by Haliday11

王宗炎序12

导读15

2 Sound and metre in peefry15

2．1 Introduction16

2．2 Sound patterning17

2．2．1 Examples of sound patterning17

2．2．2 Sounds versus letters19

2．2．3 Syllable structure and sound patterning25

Acknowledgements28

2．2．4 Different forms of sound patterning30

2．3 Stress and metrical patterning32

2．3．1 Word stress32

2．3．2 Stress in longerunits34

2．3．3 Analysing metre35

2．3．4 Different types of feet36

2．3．5 Different types of metre37

2．4 Conventiomal forms of metre and sound38

2．5 The poetic functions of sound and metre43

2．6 Analysis of poetry: checklist45

Suggestions for furtherreading47

3 Grammar and literary style49

3．1 Introdwction50

3．2 What is grammar?52

3．3 Attitudes to grammar: prescription and description52

3．4 Two levels of grammar: morphology and syntax54

3．5 Word classes58

3．5．1 Identifying word classes58

3．5．2 Open and closed classwords62

3．6．1 The noun phrase64

3．6 Describing noun and verb phrases64

3．6．2 The verb phrase65

3．6．3 Non-finite verb phrases67

3．7 Describing sentences70

3．7．1 Simple and complex sentences71

3．8 Foregrounding and grammatical form75

3．9 Analysis of grammar: checklist79

Suggestions for further reading80

4 Meaning81

4．2 Semantics82

4．1 Introduction82

4．2．1 Gaps and overlaps83

4．2．2 Opposites85

4．2．3 Hyponyms and superordinates86

4．3 Context88

4．3．1 Deixis88

4．3．2 Homonyms90

4．3．3 Other similar texts/discourses90

4．3．4 Your prior knowledge91

4．4 Register92

4．5 Literal language and figurative language95

4．5．1 Similes95

4．5．2 Metaphor96

4．5．3 Simile versus metaphor98

4．5．4 Explicit and embedded metaphors99

4．5．5 Types of metaphor103

4．5．6 Metonymy109

4．5．7 Synecdoche110

4．6．1 New ideas or areas of knowledge111

4．6 Metaphor and language change111

4．6．2 Abstract ideas made concrete112

4．7 Functions of figurative language use112

4．8 Analysis of meaning: checklist113

Suggestions for further reading114

5 Stylistic applications to drama115

5．1 Introduction116

5．1．1 The significance of context117

5．1．2 Drama on film117

5．2 How should we analyse drama?118

5．2．2 Drama as fiction119

5．2．1 Drama as poetry119

5．2．3 Drama as conversation121

5．3 Differences between speech and writing121

5．3．1 Pauses and pause fillers123

5．3．2 Unclear speech123

5．3．3 Repetition and recycling124

5．3．4 Turn-taking125

5．3．5 Back channel support126

5．3．7 Discourse cohesion127

5．3．6 Discourse markers127

5．4 Analysing dramatic language130

5．4．1 Turn quantity and length130

5．4．2 Exchange sequences130

5．4．3 Production errors132

5．4．4 The cooperative principle133

5．4．5 Speech acts135

5．4．6 Presuppositions136

5．4．7 Status marked through language137

5．4．8 Register139

5．4．9 Speech and silence-female characters in plays141

5．5 Analysis of dramatic texts: checklist142

Suggestions for further reading143

6 From classic realism to modernism and postmodernism145

6．1 Introduction146

6．2 Literary perspectives on realist texts147

6．3 The emergence of realism152

6．4 Stylistic characteristics of realist texts153

6．4．1 The omniscient narrator154

6．4．2 Representation of place157

6．4．3 Representation of Dialogue158

6．4．4 Representation of time161

6．4．5 Realism in other fictional genres163

6．5 After classic realism165

6．6 The origins of modernism169

6．7 Stylistic characteristics of modernist texts169

6．7．1 Language as a substance in its own right170

6．7．2 Departure from conventional literary structures170

6．7．3 Collage and allusion171

6．8 The origins of postmodernism172

6．7．4 Register172

6．9 Stylistic characteristics of postmodernist texts174

6．9．1 Language as a free-floating entity174

6．9．2 Loss of narrative closure175

6．9．3 Parody and pastiche176

6．9．4 The and of cultural hierarchy177

6．9．5 All stories have been told before177

6．9．6 Self-feferentiality178

6．9．7 Irony and humour179

6．10 The function of style in fiction180

6．11 Analysis of fiction: checklist183

Suggestions for further reading184

7 Style in popular texts185

7．1 Introdnction186

7．2 Exploiting patterns in sound and meaning: headline texts187

7．3 Lexical creativity189

7．4 Targeting the reader190

7．4．1 Direct address in media texts191

7．4．3 Presupposition in advertising194

7．4．2 Addressing the listener194

7．5 Reference and deixis197

7．5．1 Deixis in advertising199

7．5．2 Deixis in spoken media discourse200

7．6 Transferring meaning: metaphors in advertising201

7．7 Analysis of popular texts: checklist204

Suggestions for further reading206

8 Theory and style: next steps207

8．1 Overview208

8．2 Linguistics and literary criticism209

8．3 Texts and the reader211

8．4 Texts as discourse212

8．5 Critical text analysis213

8．6 Theory and practice: some further questions215

8．7 Conclusions216

Suggested answers to activities217

Glossary237

References249

Bibliography255

Index261

文库索引265